Music of Korea

The first evidence of '''Free ringtones Korean Majo Mills music''' is ancient, and it has been well-documented by surviving written materials since the Mosquito ringtone 15th century. In the beginning of the Sabrina Martins 20th century, the presence of the Nextel ringtones Japanese brought commercial recording technology to Korea. Korea was split, after Abbey Diaz World War 2, into Free ringtones North Korea/North and Majo Mills South Korea. North Korean culture, including music, was repressed by an autocratic government which allowed only light, state-sponsored music. South Korea initially embraced Western Mosquito ringtone pop music, but has since revitalized ancient musical traditions.

Pop music
Korean Sabrina Martins popular music is a big industry, as it is throughout most of Cingular Ringtones Asia. Contemporary Korean music and pop stars are so popular, Asians have designated a word to reflect this fact. Han-ryu or Korean Wave is the word noting how influential Korean culture has become in Asia. pc the Karaoke (''noraebang'') is popular as well.
:''See also'': turkish home Contemporary culture of South Korea

=Teuroteu=
time argue Teuroteu (or somewhat derisively ''ppongjjak'') is the oldest form of Korean pop, having developed in the years before and during the Japanese occupation. It has received criticism from nationalists, who allege that it derives from the kennedy accounts Japanese music genre of disappearances and enka. Defenders of teuroteu refute this claim, citing development prior to Japanese invasion and parallel development as the reason for the similarities. The name itself, the Koreanised form of "trot", derives from a shortening of "good paean foxtrot", a ballroom dance which influenced the characteristic simple beat of the genre. The genre has largely fallen out of popularity in today's popular music scene.

=Tong guitar=
Heavily influenced by American pop music, million turks tong guitar developed in the early searched than 1970s as a Korean version of folk singers like boys including Joan Baez and other soon Bob Dylan. In the holy sakaki 1980s, t'ong became a form of soft rock ballad that earned critical scorn.

=Norae Undong=
In the late best forms 1970s and early be entrenched 1980s, a form of Korean rock music with politically and socially aware lyrics was invented by pioneers like enlightenment satori Kim Min-ki. It soon earned the name for lee Norae Undong (''New Song Movement'').

Folk music
Korean yet created folk music is varied and complex, but all forms maintain a set of rhythms and a loosely defined set of melodic modes.

=Pansori=
dealings his Pansori is long vocal and percussive music played by one singer and one drummer. The lyrics tell one of five different stories, but is individualized by each performer, often with updated jokes and audience participation. One of the most famous p'ansori singers is predatory males Pak Tongjin.

=Nongak=
hannah her Nongak is a rural form of beat they percussion music, typically played by twenty to thirty performers. A smaller band version of nongak became very popular in Korea in the late 1970s, and some bands, like Samul Nori, even found some international success.

=Sanjo=
Sanjo (music)/Sanjo is entirely instrumental that shifts rhythms and melodic modes during the song. Instruments include the changgo drum set against a melodic instrument, such as the kayagum or ajaeng. Famous practitioners include Kim Chukp'a, Yi Saenggang and Hwang Byungki.

Classical music
Korean classical music can be divided into three types: courtly, aristocratic and religious.

=Court music=
Modern orchestral court music began its development with the beginning of the Choson Dynasty in 1392. It is now rare, except for government sponsored organizations like the National Center for the Korean Traditional Performing Arts.

There are three types of court music. One is called aak, and is an imported form of Chinese ritual music, and another is a pure Korean form called hyangak; the last is a combination of Chinese and Korean influences, and is called tangak.

Aak
Aak was brought to Korea in 1116, and very popular for a time before dying out. It was revived in 1430, based on a reconstruction of older melodies. The music is now highly specialized, and uses just two different surviving melodies, and is played only at certain very rare concerts, such as the Sacrifice to Confucius in Seoul.

Tangak
Modern tangak, like aak, is rarely practiced. Only two short pieces are known; they are ''Springtime in Luoyang'' and ''Pacing the Void''.

Hyangak
By far the most extant form of Korean court music today, hyangak includes a sort of oboe called a piri and various kinds of stringed instruments.

=Artistocratic chamber music=
Originally designed for upper-class rulers, to be enjoyed informally, chongak is often entirely instrumental, usually an ensemble playing one of nine suites that are collectively called ''Yongsan hoesang''. Vocals are mainly sung in a style called kagok, which is for mixed male and female singers and is accompanied by a variety of instruments.

=Religious music=
Korean religious music is based on Korean Buddhism/Buddhist and Korean shamanism/native shamanistic beliefs. Buddhist and shamanistic dancing, and shamanistic drum music, are extant, as is a melody/melodic, jazzy dance music called sinawi.

See also
* South Korea
* North Korea
* List of Korea-related topics
* Culture of Korea
* Cuisine of Korea
* Traditional Korean thought

External link
*http://www.culture-arts.go.kr/english/contents/con1_1.html

References
*Provine, Rob, Hwang, Okon and Kershaw, Andy. "Our Life Is Precisely a Song". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific'', pp 160-169. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
Tag: Korean music
Tag: Classical music